"Nathan Jones" | |||||||
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Single by The Supremes | |||||||
from the album Touch | |||||||
B-side | "Happy (Is a Bumpy Road)" | ||||||
Released | April 15, 1971 | ||||||
Format | 7" single | ||||||
Recorded | Hitsville U.S.A. (Studio A): December 17, 1970 | ||||||
Genre | R&B, pop rock, Soul Music | ||||||
Length | 3:04 | ||||||
Label | Motown M 1182 |
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Writer(s) | Leonard Caston Kathy Wakefield |
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Producer(s) | Frank Wilson | ||||||
The Supremes singles chronology | |||||||
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Contents
Overview
The song centers around a woman's longing for her former lover, a man named Nathan Jones, who left her nearly a year ago "to ease [his] mind." Suffering through the long separation ("Winter's past, spring, and fall") without any contact or communication between herself and Jones, the narrator is no longer in love with Jones, remarking that "Nathan Jones/you've been gone too long".Supremes version
"Nathan Jones" is an unusual entry among the Supremes' singles repertoire for several reasons, not the least of which is the fact that all three members of the group (Jean Terrell, Mary Wilson, and Cindy Birdsong) sing the song's lead vocal in unison. Clydie King was asked to sing along with the group to give the song a fuller vocal sound. While working on the song, producer Frank Wilson had in mind a rock music style of phrasing for the song, resulting in the unison vocals. The unison vocals would repeatedly be dubbed to create a layered harmonic tone similar to that present in the production of vocal group ABBA[original research?]. In addition, Wilson had his engineer, Cal Harris, use what can (now) be considered classic studio sensibilities to take The Funk Brothers' backing tracks for "Nathan Jones" and give them a phase shifting sound at various points during the song. This was accomplished by either using a second recorder (as the Beatles would have done) or (less likely) an outboard processor such as the blue faced MXR flanger.[original research?]Released as a single on April 15, 1971 with "Happy is a Bumpy Road" as the B-side, "Nathan Jones" peaked at number sixteen on the Billboard Pop Singles chart, number-eight on the Billboard R&B chart.[1] Overseas, the single went to number-five on the UK Singles Chart. "Nathan Jones" was the most successful single released from the Supremes' fourteenth regular studio album, Touch.
Personnel
- Lead and background vocals by Jean Terrell, Mary Wilson, Cindy Birdsong
- Additional vocals by Clydie King
- Instrumentation by The Funk Brothers
- Arranged by Jerry Long and David Van De Pitte
- Engineering by Cal Harris
- Mixed By Russ Terrana
Charts
Chart (1971) | Peak position |
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U.S. Billboard Hot 100 | 16 |
U.S. Billboard R&B Singles | 8 |
UK Singles Chart | 5 |
Canadian Singles Chart (RPM) | 15 |
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